This mural, once gracing the shoreline, evokes a bittersweet nostalgia deeply rooted in Eastern European cultural aesthetics. At its center is a vibrant glass fish, a motif reminiscent of decorative objects often perched atop old televisions in Romanian and Balkan households, surrounded by delicate macramé patterns that add an intimate, homely touch. The juxtaposition of these familiar elements with the aged, textured concrete wall creates a layered visual narrative. The wall's weathered surface seems to merge with the image itself, enhancing its raw, vintage charm and tying it to the cultural and physical landscape of its surroundings.

The text, "Mai are marea pește" ("The sea still has fish"), carries a striking duality. While on the surface, it echoes the hopeful adage of "plenty of fish in the sea," its placement on the shores of the Black Sea—a body of water suffering from overfishing and exploitation—turns it into a poignant commentary. The mural invites reflection on the stark reality of environmental degradation, hidden beneath a familiar, comforting aesthetic. The fusion of the nostalgic imagery with the environmental message underscores the fragility of both cultural and natural ecosystems, leaving a lasting impression of beauty tinged with urgency.